Please Help 16:9, xl2, & AG-DVX100B questions!

hello all!

we are about to purchase two xl2's and one panasonic Panasonic AG-DVX100B.

our goal is to do multi-cam wedding shoots (we've done them for awhile...w e're just about to upgrade our tech seirously)

anyways - our final output hope - is a 16:9 dvd.

The xl2's shoot native 16:9 - the panasonic shoots a squeezed footage... I have two questions (you might see where I'm going already...)

1) how bad is the quality drop going to be for the panasonic? If i'm editing in a true 16:9 sequence... i'm assuming I'm going to have to stretch the panasonic's signal. or am I wrong? Does the panasonic create a file that is truly 16:9? (any owners out there?)

2) we did some test shooting in 16:9 on a friends xl2. I imported the 16:9 footage using a capture preset I created. in the presets - i told it to capture 852 x 480 (16:9 - if my math is correct....) heres the problem. the file that it imports is always 720 x 480... any thoughts as to why? I'm not importing on the xl2 - i'm using an old cam as a deck... would that cause it to not import the right size?

3) if I'm importing that incorrectly... whats the right way to go about this? I don't want to work on a 4:3 sequence - and output a 4:3 file - if I can help it. I want to cater to those who have widescreen tvs... in otherwords - i don't want to create fake widescreen!

any thoughts would be wonderfully appreciated. Thank you!

Brett

powermac g5, Mac OS X (10.4.10), final cut pro 5.0.4

Posted on Jul 28, 2007 2:05 PM

Reply
2 replies

Jul 28, 2007 2:25 PM in response to Brett Yacovella

I use both cameras...

1) You will notice no difference between the Panasonic and the XL2... Both them record 16:9... XL2 has a 16:9 chip (when you record 4:3 only a portion of the chip is used) while the DVX100 has a 4:3 chip and when you shoot 16:9 the image is electronically processed (squeezed)... Is like doing an interpolation on a picture... If you do a lot of recompression in your editing software it is theorycally possible that the DVX100 footage will look not as good as the Xl2 footage... but it's a very rare situation in most production pipelines... I must also say that the DVX100B image quality is better than the Xl2 image quality in my opinion and this eliminates any difference between the two recording systems...

2) The right way to import 16:9 footage is to use the FCP preset (DV NTSC Anamorphic) that is 720x480 anamorphic (squeezed)... It's a matter of pixel aspect ratio, not of resolution...

3) If your capture settings and your sequence settings are both anamorphic 16:9 you do not have to worry about a "fake 16:9 (letterbox)... When you exoport to quicktime you will see your footage squeezed but that is correct... Your 16:9 device (television) will diplay it correctly...

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Please Help 16:9, xl2, & AG-DVX100B questions!

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