i agree with the mix having a direct impact on vocal presence, but I strongly disagree with near-0dB tracking. With 24bit res and the decent quality of the Apogee pres, you needn't worry about hot levels right off the bat.
Often for rap vox, or any pop-vox material, is to layer unison tracks with slight panning for "larger than life" FX, but that is a production step you're going to have to work out - if the song is better off with it or without, which sections do you layer, which are a single voice only, and so on.
Back to tracking though.... just don't worry about hot levels. If EVERYTHING in mix has to go down several dB just so you don't clip on the output, what's the point of recording everything so hot - esp. in 24bit-digital world? You're not trying to escape some evil noisefloor or tape hiss... And if the voice is too bottom heavy in the 250Hz area, experiment with mic placement to balance out the proximity effect (too close can be too muddy - too far can record too much ambience, but that's why it's experimenting after all). It's nice not to have to worry about that in the mix as EQs aren't always the best remedy... and one of the signature mic sounds for rap is based on the SM57 for lacking presence in the low-mids (SM57 + Avalon - but who cares? don't fuss with that mess right now).
I must leave at that for now
Message was edited by: Electronathan