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Which Codec is designed for production work?

Does anyone have a definitive answer to which Codec is designed for production work in FCP?

NONE HD, current footage is in Apple MPEG-2, and I want to convert it in FCP to a good, fast working codec. There seems to be many to choose from, and I know that many are not smart to use. So which ones are good ones to convert and work in?

I tried Apple ProRes422, but I could see a difference on screen in the quality of the original (MPEG-2) and the newly converted. I thought H264, but I was told this is NOT a production codec.

MacBook Pro, iMac 24", Mac OS X (10.6.3), Final Cut Studio 2, FCP 7.0.2

Posted on May 19, 2010 1:56 PM

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Posted on May 19, 2010 1:58 PM

In my view, for transcoded or converted footage, ProRes422 is the best choice.

There is a difference between how footage looks, and how well it edits.

ProRes422 is intraframe footage in the 4:2:2 color space. MPEG2 isn't.
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Which Codec is designed for production work?

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