Best strategy for de-telecining difficult 24PF footage?

If you are still experiencing interlacing artifacts after using the Reverse Telecine filter in Compressor, there are a few other things you can try to improve the footage:

1. Use a different software: Instead of Compressor, try using a different software like Handbrake or Adobe Media Encoder to perform the Reverse Telecine process. Different software can produce different results.
2. Adjust the Reverse Telecine settings: In Compressor, try adjusting the settings of the Reverse Telecine filter to see if it produces better results. You can experiment with different combinations of settings such as "Reverse Telecine Mode," "Field Order," and "Deinterlace Quality."
3. Revert to the original footage: If you still have the original footage, try importing it into FCPX again and apply the Reverse Telecine filter directly in FCPX. This way, you can experiment with the different Reverse Telecine settings directly in FCPX and see if you can achieve better results.
4. Hire a professional post-production service: If you are still struggling to achieve the desired results, consider hiring a professional post-production service that specializes in de-telecine and restoration. They will have access to specialized tools and techniques that can improve the quality of your footage.

Keep in mind that de-telecine is a difficult process, especially if the footage was shot in 24PF format. It's unlikely that you will be able to completely remove all interlacing artifacts, but by experimenting with different software and settings, you can minimize their impact on your final product.

anu_krishna wrote:

1. If you are still experiencing interlacing artifacts after using the Reverse Telecine filter in Compressor, there are a few other things you can try to improve the footage:

Use a different software: Instead of Compressor, try using a different software like Handbrake or Adobe Media Encoder to perform the Reverse Telecine process. Different software can produce different results.

2. Adjust the Reverse Telecine settings: In Compressor, try adjusting the settings of the Reverse Telecine filter to see if it produces better results. You can experiment with different combinations of settings such as "Reverse Telecine Mode," "Field Order," and "Deinterlace Quality."

3. Revert to the original footage: If you still have the original footage, try importing it into FCPX again and apply the Reverse Telecine filter directly in FCPX. This way, you can experiment with the different Reverse Telecine settings directly in FCPX and see if you can achieve better results.

4. Hire a professional post-production service: If you are still struggling to achieve the desired results, consider hiring a professional post-production service that specializes in de-telecine and restoration. They will have access to specialized tools and techniques that can improve the quality of your footage.

Keep in mind that de-telecine is a difficult process, especially if the footage was shot in 24PF format. It's unlikely that you will be able to completely remove all interlacing artifacts, but by experimenting with different software and settings, you can minimize their impact on your final product.

Fairly obvious output from ChatGPT... not particularly useful or correct... ;-)

How much footage do you have to fix?

You could export an image sequence of the problem areas, then take those stills into Photoshop and use the De-Interlace filter (Filter>Video>De-interlace) to try and fix the frames.

Might be worth a test.

MtD