Is there a point in using QuickTime Player's 'maximum' quality for streaming Hi8 analog tapes?

I have a bunch of Hi8 analog (and digital8) tapes. I'm just starting the process of digitizing them by streaming them into QuickTime Player. I have a camcorder firewire 400 cable plus 3 adapters to convert to USB-C. Was shocked that it actually works, so now I'm on to actually trying to get the job of digitizing all these tapes done.


My main question is whether there is any point to using the "maximum" quality setting when recording. This creates huge .mov files in the "Linear PCM, Apple ProRes 422" format, but I can later encrypt them to something smaller. I would assume H.264 480p would be the choice, and is about 1/10th the size. This results in a file that the Finder says is using codec "H.264, MPEG-4 AAC". This seems to be the same codec used if the "high" quality is chosen for the recording.


Another question, kind of related to the above, is whether any of the encodings are lossless, but still give some decent compression. I read that H.264 can be configured to be lossless, but I don't see how to do this when choosing the codec to use.



[Re-Titled by Moderator]

Posted on Feb 16, 2025 7:43 PM

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Feb 16, 2025 10:37 PM in response to cjp987

I recently tested this. I'd not use the "new" QuickTime Player in any setting because it forces deinterlacing with mean/blend mode. So users might want that, though.


I'd use either the an old Mac with built in Firewire and import with the old iMovie v4-6 as DV-encoded interlaced rectangular pixels that the user can then post-process and re-encode as desired. Importing with Final Cut Pro works in Sequoia with FW-Thunderbolt-USB-C adapters but unlike old iMovie, FCP can not be forced NOT to break bad tape spots into multiple scenes, see below. I have all my old DV/D8 tapes archived as .dv files with old iMovie v4-6 and I have used Final Cut Pro or ffmpeg to post-process those old .dv movies in later macOS like Sequoia. The old QuickTime Player Pro 7 (works in Mojave but no longer sold) has "Device Native" import option and Final Cut Pro import the same way as DV encoded .mov.


The old .dv files are about 12 GB/hour (about 216 MB/minute). I'd currently edit and re-encode them to square pixels with "bob" deinterlaced double frame rate (PAL 720x576 scaled to 788x576 and cropped to 768x576 and 25 to 50 fps) as 10-bit about 5-10 Mb/s H.265 and AAC wrapped as .mp4.


Transfer from Mini DV video camera has gh… - Apple Community


Final Cut Pro 10.7-11.0 imports 720x576 25 fps bottom field first interlaced, overall 30.5 Mb/s, timecode .mov (DV, 16 bit 48.0 kHz 1536 kb/s PCM Little / Signed) from that PAL camcorder (4:3). My old .dv files archived from iMovie 1.0.2-6.0.3 are essentially the same except .dv, overall 28.8 Mb/s, no timecode and PCM Big / Signed. New clip at each scene break.


So I'd recommend FCP import for the quality I am used to, although that must be deinterlaced for computer playback unless longer shutterspeed was used making the footage essentially progressive.


On the other hand, QuickTime Player.app 10.5 (Mojave, Sonoma, Sequoia) "Maximum" setting imports 702x576 25 fps, overall 40.3 Mb/s, timecode .mov, ProRes 422, 16 bit 48.0 kHz 1536 kb/s PCM Big / Signed, and "High" setting imports 585x480, overall 4351 kb/s, timecode .mov, AVC, 48.0 kHz 320 kb/s AAC, both as progressive.


When booted to Mojave or earlier, the old QuickTime Player 7 Pro "Device Native" setting imports 720x576 25 fps bottom field first interlaced, overall 30.5 Mb/s, timecode .mov (DV, 16 bit 48.0 kHz 1536 kb/s PCM Little / Signed) from that PAL camcorder (4:3). All scenes are imported to the same .mov (no automatic new clip at each scene break).


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Feb 17, 2025 3:55 AM in response to cjp987

If the old Mac with built-in Firewire works, you might try the oldie and goodie QuickTime Player 7 with its "Device Native" import setting (it works up to Mojave). QuickTime Player 7 "Pro" licenses are no longer sold and I have not tried if that is needed for importing, though.


Download QuickTime Player 7 for Mac OS X v10.6.3 - Apple Support


But proceed with the new QuickTime Player and see if the quality is OK for your needs.


FWIW I no longer bother burning video-DVDs. They are clumsy to use and optical media and devices are being phased out. I have lots of old video-DVDs made with iMovie and iDVD collecting dust. Instead, I store old home movies as .mp4 movies on computer drive archives and copy them to iPads for viewing or thumb drives to view on smart TVs.


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Feb 17, 2025 12:52 PM in response to cjp987

cjp987 wrote:

The G4 only supports up to 10.5.8.
[...]
I like that DVDs allow for an index and can contain info about what the video clips contains (dates, people, locations, etc). I'm not sure to what extent that is possible with .mp4.

QT Player 7 might work in 10.5.8 so you might try if it works.


Movies do support adding and displaying date, location, title, description, keywords, author, and QT Player and Photos.app can display them. I use GraphicConverter (or sometimes exiftool) to do that. Sadly movie metadata is not properly standardized, so it depends on the viewer app and operating system which type tags are supported.


AFAIR in the link you mention VLC was mentioned only relating to deinterlacing display options, not importing, and I have never tried to import from DV/D8 tape with it.

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Feb 16, 2025 11:56 PM in response to Matti Haveri

Thank you for all your input, but you're operating at a knowledge level that makes it hard for me to understand much of what you are suggesting, and at a level I have no desire to attain. I'd like to say I'm a novice at all this, but even that would be exaggerating my abilities. I'm just looking for an easy way to get all these tapes on my computer as .mov files. Once I get that done, my daughter is going to take care of editing and burning DVDs (on a PC). I have about 30 8mm tapes. About 1/3 are analog Hi8. The rest are Digital8. I have a Sony TRV-350 that was used to record the Digital8, but is also capable of Hi8 playback, so that's what I'm using right now. Right now I've got things working in a reasonable streamlined manner. All the parts are working, I understand the steps to take, and in the end I'm producing the needed .mov files. I'm willing to tinker with choices like codecs (that the finder will present to me) and choosing "high" vs "maximum", but tbh I'm not willing to go much beyond that.


I've been down this path a few times before since 2003, and usually get frustrated over the amount of time spent and throw in the towel. I recently stumbled across some "DV movie" files on an old hard disk. I eventually concluded there were from an old attempt in 2003 to get these tapes digitized on the computer. This attempt was done using G4 (Quicksilver 2002) which I still have running. You can find more on that adventure here: QuickTime Player can't open old "DV movie… - Apple Community


I could play the "DV movie" files on the G4, but not my current iMac, but found out that they could be played and converted on another iMac I have running 10.13. Anyway, that roped me in to trying to get all of these tapes digitized again. I was recently talking to my daughter about just having them sent to some service that does it for you, because she's been bugging me to get them digitized. I know that would be easier, but I'm not sure what I'll end up with, so I'm taking a stab at this again. If it proves to muchof a PITA, then I'll send the tapes out instead.


I'm not sure exactly what I used to get the "DV movie" files generated on the G4. It was back in 2003. The G4 does has a firewire port, so I probably went direct from the camcorder with it's i-LINK cable, but on the software side I don't know what I used. There currently is no version of iMovie installed. I do have iMovie 5.03 from a iMac G5 I got after the G4. That iMac died, and I pulled the drive and saved it. But like I said, there is no iMovie on the G4, and I can't imagine I ever de-installed it. Is there anything else (that OSX automatically installed) that I might have used?


In any case, I don't think I want to go back to using 23 year old hardware and software unless it is going to make some significant improvements. These are old analog NTSC format tapes, so not that great of quality to start with. The only issue I've seen so far is there are few lines of pixels at the bottom of the screen that don't display properly, but I think that is the fault of the camcorder's digital converter since it appears with both the old G4 generated "DV movie" files and the new files I'm generating with my iMac going through all the adapters.

The old .dv files are about 12 GB/hour

The "DV movie" files I have are about 25gb per hour of video.

So I'd recommend FCP import for the quality I am used to, although that
must be deinterlaced for computer playback unless longer shutterspeed
was used making the footage essentially progressive.

FCP is an expensive product if I recall. Wasn't it $1000 at one point? In any case, what you say above is the type of path I really don't want to go down; getting new software with a steep learning curve and tinkering around with video imports and conversions in a way that takes a lot of time and eventually leads me to give up.

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Feb 17, 2025 12:16 PM in response to Matti Haveri

I decided to followup with the discussion link you gave me:


Transfer from Mini DV video camera has gh… - Apple Community


Lots of discussion of using VLC there, so I gave it try. That just sent me down frustration alley. None of the online help for VLC seems to apply to OSX. The instructions on how to capture from a camcorder quickly go astray of what my menu and dialog options look like. I did figure out (on my own, not via any help) that I need to start with "Open Capture Device...", but actually configuring it and getting it to record didn't work. It did seem to be streaming in the video (in a very chopped up manner, only refreshing the screen every few seconds), but didn't actually record anything.



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Feb 17, 2025 12:27 PM in response to Matti Haveri

If the old Mac with built-in Firewire works, you might try the oldie and goodie QuickTime Player 7 with its "Device Native" import setting (it works up to Mojave). QuickTime Player 7 "Pro" licenses are no longer sold and I have not tried if that is needed for importing, though.

Download QuickTime Player 7 for Mac OS X v10.6.3 - Apple Support

The G4 only supports up to 10.5.8.

But proceed with the new QuickTime Player and see if the quality is OK for your needs.

My needs are to get the best discernible quality. Right now I'm not sure if I am because I don't know how to compare what I'm getting to what the best quality would look like, or if going with High instead of Maximum might not show up when I do a side-by-side comparison on my mac, but might in some other setting (especially if further editing of the video is done). My original question was with Maximum vs High quality, but this discussion has sidestepped that question and is in general about the best way to digitize these tapes.

FWIW I no longer bother burning video-DVDs. They are clumsy to use and optical media and devices are being phased out. I have lots of old video-DVDs made with iMovie and iDVD collecting dust. Instead, I store old home movies as .mp4 movies on computer drive archives and copy them to iPads for viewing or thumb drives to view on smart TVs.

Yeah, I get it. I see DVDs more as a way to have additional backups. Mostly these will be videos will be archived on my computer, hopefully in a way that makes them easy to watch. I like that DVDs allow for an index and can contain info about what the video clips contains (dates, people, locations, etc). I'm not sure to what extent that is possible with .mp4.

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Feb 19, 2025 10:16 PM in response to cjp987

cjp987 wrote:

without "clip per scene" enabled, the clip size will be 1hr. I can't find any way to control that.

Just pause the import so a new clip will be created when you re-start import. You might want to rewind the tape slightly before starting re-import so the are no skipped frames in between.


In the past I created around 9 minute clips for the archive by editing the material in iMovie and exporting selected clips from iMovie as a single .dv file (some versions had issues making that step non-lossy so I had to avoid certain workflows that caused that). But in your situation that is a clumsy approach that takes too much time and extra effort.


You usually join the clips in the editing phase and export them as .mp4 so joining .dv files is usually not needed. But AFAIR MPEG Streamclip can losslessly join .dv files (works up to Mojave).


http://www.squared5.com/


It seems you use iMovie 5, right? Below is a link to my iMovie HD 5 memo .html -- download it (via the downward arrow at top right, you do not need to login to Dropbox), and open or drop it on the web browser to read it (the link might be deleted here but it should be in your email. I have similar memos also for iMovie 4 and 6). It is just a memo about all possible issues that might cause problems -- generally I liked old iMovie.


https://www.dropbox.com/scl/fi/vfggx8zklimbpp0espexl/iMovie_HD_5_bugs.html?rlkey=7u39dkmyxy8syu7qbept44r8d&dl=0


While you are at it I'd recommend renaming the imported .dv clips with a date in YYYY-MMDD-hhmm-ss.dv format (1998-0601-1200-00.dv etc, including seconds. Just use your best guess about the old date) so it is then easier to add metadata dates and other metadata to the exported .mp4 movies.


Movie dates and Photos.app - Apple Community


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Feb 19, 2025 10:15 AM in response to Matti Haveri

What is meant by "trimming as straight cuts"?


Since you've used a Sony D8 camcorder for this purpose before, let me ask another related question. I'm using the Sony TRV350. All my converted Hi8 tapes have a defect at the bottom of the screen. See the image below. The defect constantly changes as the scene changes. Is this normal?


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Feb 23, 2025 3:03 AM in response to cjp987

cjp987 wrote:
One issue I have with doing this is that I'm getting the following error from ffmpeg:

[dv @ 0x7f90f2404f80] Invalid sample rate 32000 for audio stream #0 for this video profile, must be 48000.

Movie audio is usually 48 kHz but some DV camcorders might have set it as 12-bit 32 kHz instead 16-bit 48 kHz, and for some strange reason iOS movies often are 44.1 kHz which is used in audio-CDs. So obviously 32 kHz stems from the original camcorder setting and tapes and you might leave it as such, although using 32 kHz, 12-bit audio might make the audio out of sync as well as other audio glitches.


MPEG Streamclip can elegantly join (and split) .dv files and optionally convert audio to 48 kHz (check its bundled manual for details):


I have been wary joining movie files because they should all have exactly the same codec and codec parameters but your .dv files imported via the same workflow should be the same.


A few multimedia containers (MPEG-1, MPEG-2 PS, DV) allow one to concatenate video by merely concatenating the files containing them with the humble cat command (the output is essentially the same as with MPEG Streamclip):


cat input1.dv input2.dv input3.dv > joined.dv


ffmpeg seems to issue warnings and even skipped frames when joining .dv files so I'd use cat instead. For some reason ffmpeg -a does not remove audio from DV streams as it usually does.


https://trac.ffmpeg.org/wiki/Concatenate

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Feb 23, 2025 3:56 AM in response to Matti Haveri

So obviously 32 kHz stems from the original camcorder setting and tapes
and you might leave it as such, although using 32 kHz, 12-bit audio
might make the audio out of sync as well as other audio glitches.

It looks like by default my camera recorded in 12-bit:



I'm not sure what is meant by "two stereo sounds" and "one stereo sound". I still don't get why using "-an" makes the error go away. I haven't noticed any audio issues yet, but I'll check a look closer.


I have been wary joining movie files because they should all have exactly the same codec and codec parameters but your .dv files imported via the same workflow should be the same.


Yes. I'm always joining the multiple .dv clips that are created when doing a single import of a tape, and the entire tape was filmed using the same camera (I read that recording on a single tape using different cameras can cause problems).


A few multimedia containers (MPEG-1, MPEG-2 PS, DV) allow one to concatenate video by merely concatenating the files containing them with the humble cat command (the output is essentially the same as with MPEG Streamclip):

cat input1.dv input2.dv input3.dv > joined.dv


I'll definitely give that a try.


BTW, I could really use a video editor that allow me to edit the DV clip (namely, remove sections of video from the clip), and then re-export as DV without decoding/encoding the entire clip (but possibly doing so for a few seconds around the edit). ffmpeg can accomplish that, but you need to specify the time code of where to split the clip, which I imagine will take some trial an error before getting it just right. And then of course you will need to split again at the end of the section of the clip you want to edit out. So then you have 3 clips and you throw away the middle one, and then concat the two remaining clips. Rather laborious, especially if there are multiple edits you want to make.

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Feb 17, 2025 12:32 PM in response to cjp987

I'd also be interested in knowing if sending the tapes out to a video digitizing service would produce some thing that is the same, better, or worse quality than what I'm doing. I certainly don't want to put a lot of effort into creating something that is substandard, and am even willing to pay if it would be the same quality as what I'm doing, but certainly don't want to pay for worse quality.

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Feb 17, 2025 2:33 PM in response to Matti Haveri

AFAIR in the link you mention VLC was mentioned only relating to deinterlacing display options, not importing, and I have never tried to import from DV/D8 tape with it.

I was trying to better understand deinterlacing. I can play these videos with VLC, but the only thing I've been able to discern w.r.t. deinterlacing is that Video -> Deinterlace has "automatic" selected, and Video -> Deinterlace Mode has "auto" selected. I don't know what this implies about the current state of the video (deinterlaced or not).

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Feb 17, 2025 4:29 PM in response to cjp987

I just compared a video captured with "Maximum" quality to the same video compressed with the H.264. The compressed version looks way better. The original is grainy while the compressed looks very crisp. I guess there is a lot of correction that goes on during the compression that makes it look better. They both suffer from what I guess you would call ghosting or doubling of the image when there is movement. I thought this is what deinterlacing was suppose to correct.

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Feb 17, 2025 7:57 PM in response to cjp987

I created both maximum quality and high quality copies of a tape. For the maximum quality I also then encoded it to reduce the size. The results are:


max: 20.79gb

max+encoded: 1.57gb

high: 2.02gb


So going with max and then encoding gives you something smaller than high, even though in both cases you end up with an H.264 encoding. I then took a closer look at the quality of the high and max+encoded videos, and there is a slight difference. I feel the high version was less grainy. It's no that obvious at first, but when you really look closely you can see the difference in some parts of some frames.

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Is there a point in using QuickTime Player's 'maximum' quality for streaming Hi8 analog tapes?

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