Another option that I used on a series last year was to export the OMF twice with different tracks selected each time (I had 24 min episodes with 12 tracks of audio in FCP).
ex. OMF #1: I would turn off tracks 7-12 in the FCP timeline & export the full show for tracks 1-6 as one OMF. Then I would turn off the first 6 tracks & turn the last 6 on, then export the second OMF of tracks 7-12.
This is what the post facility asked for & they married the 2 OMFs in their system, so in their Pro Tools project it all mirrored what I had in FCP - an edit with all 12 tracks for the full duration of the program.