My gamut is wider than my head.
Recently needed a second second monitor (I work in two locations, port my laptop from one to the other, and need a color-calibrated monitor both places) and decided to go with a wide gamut monitor. Now my colors in Aperture are wrong, and color-management in other programs has been affected as well. Colors on the wide-gamut monitor are over-saturated even after repeated calibrations (no idea how to fix). Also, luminance is too high, and resetting the target luminance value for the wide-gamut monitor seems to have little effect.
Generally:
. what should I do if I want to start from scratch and built a color-managed workflow? Is there a standard and thorough method to regain color control and accuracy which takes into account the current state of the OS, different monitors, and different programs?
. is there a useful reference for OS X color management?
Here is my set-up:
- Mac OS X, MacBook Pro 13" '09 (2.26 GHz Intel Core 2 Duo w. NVIDIA GeForce 9400M w. 32-bit pixel depth on all monitors (according the System Profiler)). Main use is Aperture, also Safari, etc. All software up-to-date.
- NEC Multisync 2490WUXi2 (have used this for months, works great)
- NEC Multisync PA271W (just purchased, have not been able to set it up correctly)
- SpectraView II v. 1.1.07 (NEC's software to calibrating their monitors)
- ColorMunki Photo (photospectrometer, works with SpectraView II)
- (Epson 3880, printing almost entirely on Epson Hot Press Natural with matte black ink. Have recently been printing with an Epson 9900 as well.)
Thanks. I've been unable to edit or print with the PA271W connected.
(Similar request for help posted on the Luminous Landscape Color forum, but after 70 views no one has responded.)
Message was edited by: Kirby Krieger
MacBook Pro 13, Mac OS X (10.6.7), 8 G / 500 G internal / 5 TB external / NEC 2490 / ColorMunki Pho