Is there a way to convert dual-stream(3D) .MTS files into left and right eye ProRes 422 HQ?

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Is there a way to convert dual-stream(3D) .MTS files into left and right eye ProRes 422 HQ?

I found a Windows-based converter that produces L&R eye videos in uncompressed AVI format, however I'm having a difficulty finding a way of converting a 3D .MTS dual-stream video into two left eye and right eye ProRes 422(HQ) clips to be able to then import them into FCP 7 and create a top/bottom 3D file through Stereo3D Toolbox plug-in in FX Factory.

Also, if anyone knows a better workflow for 3D production, please let me know.

Thank you.

Final Cut Pro 7, Mac OS X (10.7.2)

Posted on Apr 5, 2012 4:49 PM

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Answer 1

Shane Ross

Level 8

43,110 points

Apr 5, 2012 5:11 PM in response to MrAgarkov

Look into Dashwood:

http://www.dashwood3d.com/stereo3dtoolbox.php

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Answer 2

MrAgarkov Author

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Apr 5, 2012 5:24 PM in response to Shane Ross

I believe Dashwood has a solution on how to create a 3D video out of a Left–eye and Right–eye ProRes videos,

but they do not offer a tool to convert dual–stream .MTS files onto L&R eye clips in ProRes.

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Answer 3

Shane Ross

Level 8

43,110 points

Apr 5, 2012 8:23 PM in response to MrAgarkov

What was this footage shot with? What camera?

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Answer 4

MrAgarkov Author

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Apr 5, 2012 8:26 PM in response to Shane Ross

Panasonic HDC-Z10000

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Answer 5

Shane Ross

Level 8

43,110 points

Apr 5, 2012 9:53 PM in response to MrAgarkov

You picked a difficult camera for this. Doesn't appear to be an FCP workflow for this camera:

http://www.dvxuser.com/V6/showthread.php?269016-Pany-s-new-3D-cam-HDC-Z10000-wor kflow

http://72.9.159.100/avs-vb/showthread.php?t=1357471&page=7

http://www.studiodaily.com/2011/12/review-panasonic-hdc-z10000-3d-camera/

"What's Missing: Lack of built-in ND filter complicates shooting in bright daylight; lower overall quality and dynamic range compared to higher end 3DA1 model; current unsettled workflow and absence of support in major NLEs; narrow interaxial produces unnaturally flat field beyond fifteen feet (3.5m) so shooter discretion is advised."

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Answer 6

Apr 6, 2012 10:51 AM in response to MrAgarkov

If you can get individual files for each eye, it's not too difficult to use fcp and compressor to create the correct output file. Sounds like you've been able to create individual left and right avi's. Try using compressor to convert to individual qts with an fcp friendly format.

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