every tried to accomplish that with a still?
Yes, all the time. But the rules regarding a still are quite different from the rules regarding video.
how should the software know, what is dust, what is grain?
By comparing median values of the previous and following frames. Mathematically speaking, it's actually pretty darned easy to figure out if there's dust in a video frame or not. All you have to do is compare color and texture values from one or more preceeding and proceeding frames. If there's "blue" in a given range of ten frames, then there's "black" in a frame, then "blue" in the next ten frames, odds are that "black" section is dust. Have the computer interpolite the color and texture values for that region based on the frames immediately before and after it.
geethree.com offers in Slick9 some more elaborated hue & stauration adjustments then iM does....
Yes, I already have that and will be experimenting with it eventually. I would like to remove the dust and such before playing with color, however.
isn't it wonderful, to see with a blink of an eye, that "recording" ist 45 years old? let it be old....
This is just a matter of opinion. IMO, removing excessive dust and debris from the frame is not robbing the film of its age. I'm not colorizing a b&w film; I'm restoring the color that was lost to age.
I mean, you could go even further back with that argument. Doesn't converting the film to a "sterile" DVD and watching it on a TV screen rob the film of its "old-time charm" of setting up a projector and video screen?
IMO, this is exactly the sort of thing that iMovie was made to do.