44.1khz to 48khz

When I film public speakers, I give them a small digital recording device that plugs into a lapel mic, to augment their voice. However, the device records at 44.1 khz. How can I convert the files I get from it to 48khz, so I can mix it with my DV, and not have to slow it down by .015 (or whatever it ends up being)?

I have tried bringing it into a seperate project, with 44.1 as the projec's uadio settings, and then exporting to a 48 quicktime movie, but it has changed nothing.

Thanks for the help!

G4 733MHZ, Mac OS X (10.4.3)

Posted on Oct 1, 2006 12:54 PM

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12 replies

Oct 1, 2006 3:22 PM in response to Covita

Okay, maybe I'm missing something. I tried both methods mentioned here, and while it does change the audio rate, it doesn't change the speed at which the audio plays. See, my original problem is the fact that when I import the digital audio recorder's 44.1 recordings into FCP, it becomes slowly out of sync with my cameras' footage. I had assumed this was because of the audio rate (44.1 vs. 48), but no matter how I try to change said rate, the audio track remains out of sync. I still have to change the speed to ~100.17%. A pretty patchy solution.

Any ideas here? Thanks!

Oct 1, 2006 6:32 PM in response to maxbz

Sorry...did not understand that you meant out-of-synch tempo-wise or speed-wise. So you recorded your audio on a separate device, (say, a DAT recorder) and intended to synch it with your video? I can not see how audio sample rate (and/or converstions between 44 and 48 kHz) would ever effect speed. I am wondering about the devices you used to record you audio and video, and if you used the same ones to capture to digital. Or, perhaps the power supply to the units was not consistent (between recording and capture) and created a slight speed shift in a tape transport mechanism. Obviously, I have no clear idea sorry. Hope somebody has a definitive answer for you.

Oct 2, 2006 4:51 AM in response to maxbz

No offense, but maybe the "small digital recording device that plugs into a lapel mic" is of not too high a quality, and it's not actually recording at EXACTLY 44.1kHz, despite the spec., - just something CLOSE to 44.1.

(Quartz controlled frequencies are good at staying constant, but an economy in the manufacture of such devices might have had quite a wide selection tolerance on quartz crystal frequencies AROUND, but not EXACTLY at 44.1?)

And hence that's why sync drifts off?

Oct 3, 2006 4:03 PM in response to maxbz

Your two devices were not "crystal locked" as we say - i.e. they were operating independently, and both are recording at slightly different speeds. Without using a third device as a synchroniser, it is impossible to have two devices run at exactly the same speed over any length of time. Hence, pro gear is always synced to avoid exactly this problem. Sorry, you're SOL.

You might consider doing your speed changes to the audio in a specific audio application like Soundtrack Pro or Peak, both of which will do the resampling at a higher quality than FCP.

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44.1khz to 48khz

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