Tangerine_Dream wrote:
Btw, did you happen to notice my username, 'Tangerine_Dream'?
Yes I have noticed.
I started to work with Christopher back in Berlin in the late 80s after he has left Tangerine Dream and started his solo career. He asked me to move with him to Amerika in 91 to work for him exclusively as a sound engineer and producer. So I produced and engineered pretty much all his film and CD project since then and later also worked as a co-composer on numerous projects with him.
As you might imaging, Chris had quite an impressive arsenal of synthesizers, computers, apps, and all kinds of gears and gadgets back then. So I had to read through mountains of manuals when I started to work with him. That's when I began to develop my own style of writing manuals ("Graphically Enhanced Manuals") based on the frustration of so many poorly written books.
Regarding the "ratchet sequencing" style for Logic Pro X. It is a different thing when using analog sequencers. You can reproduce that style easily in the Piano Roll Editor. As you might have noticed, Chris often uses those short 32th note rolls before a downbeat to create those floating sequencer motions. Copy, past, quantize are your friends for that. However, the improvisational part by changing the parameters while playing the sequence has to be done on the synth or the synth plugin itself (or you can use the Arpeggiator or other tools in Logic)
BTW, did you try the new Note Repeat feature in LPX v10.1? You can create some really cool sequencer pattern when used with notes and chords instead of drum patterns.
Edgar Rothermich - LogicProGEM.com