I have a question regarding a color grading workflow within FCP X:I'm working on a project involving 2 different codecs:Sony XAVC-S S-Log3GoPro ProtuneIn order to properly apply pre-existing LUTs, is all the same to first transcode everything to ProRes 4444, or would it be best to first apply the LUTs to the files in their native codecs?

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What are best practices for applying LUTs in FCP X?

I have a question regarding a color grading workflow within FCP X:

I'm working on a project involving 2 different codecs:

Sony XAVC-S S-Log3
GoPro Protune

In order to properly apply pre-existing LUTs, is all the same to first transcode everything to ProRes 4444, or would it be best to first apply the LUTs to the files in their native codecs?

MacBook Pro, OS X El Capitan (10.11.1), FCP X 10.2.2

Posted on Nov 29, 2015 8:26 AM

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What are best practices for applying LUTs in FCP X?

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