tokun1 wrote:
… I do need to buy motion 5 to get up to date soon. Would you mind listing the steps, …
Hi Tony,
sorry for forcing you into purchasing M5 😉 (hey, Apple, 30% comission!!)
But my start with Motion isn't too long ago, so vers4 is just hearsay for me ...
OK, cooking recipe Luma-key:
('cause I hadn't have your original source with the black background, I erased the jungle in Pixelmator...that is a bit cheating, 'cause my bg is 100%black… yours probably not…)
Create a new project with your clip, two groups, Source and BG (as an example: a gradient)

Under Filters/Keying you should find Luma-key.
Apply that to your source and you get this…

whooo, spooky!! LOL
out-of-the-box, the Luma-keyer is set to some sort of 50/50… we have to adjust that:
move the Whites-slider to the left …

Now, the filters threashold is much steeper, your talent isn't a ghost anymore.
But - at the borders we notice ugly artifacts... esp. when you don't have a 100% perfect (=black) bg, you can tweak the settings for hours - will not work. Hm…?
Magic Keyer to the rescue!

Now, we can adjust the key/matte, make it smoother, blurring it ... try the various settings...
Last step, the table: it is always nonsense to have the same color in foreground as the key-color (green obkjects in a green screen), here: the table. So, for cosmetics, I double the source and apply manually a drawn mask:

... finally, <drumroll> aaaand done:

ok, I botchered and cheated with creating my source-file… but basically that is is the workflow.
Next time use a green screen; in the school project I'm supporting, we do have the worst green screens of movie making history - and they work like charme! Using some fleece-cloth from the pennystore and just available (day)light we a get an acceptable key. ok, not broadcast quality but … nice.
If you have more question, Tony, just ask ...