"..All this stuff about altering photographs. That's not creating art. That's only making a style. In this year and out next year.."
Oh. Is Ansel Adams out, then?
(click on image to go to bigger one..)
..Notice how dark the sky is - that's because he used a red filter to knock out the blue. And, of course, he did a bit of "dodging and burning" to produce more "punchy" positive prints from the negatives.
And, er,
Edward Weston?
And, er,
Dorothea Lange? (..Note the wording: "Destitute peapickers in California; a 32 year old mother of seven children. February 1936. (retouched version)" ..and "This is an unretouched version of the image listed in #1. This version of the image shows a thumb in the immediate foreground on the right side."
Many or most iconic, well-known photographs have had a bit of retouching, dodging and other adjustments done to them ..that's why many have the
printer credited, as well as the photographer ..the printer's art is - oops, sorry; maybe that should be "craft", if you prefer, instead of "art" - is in creating a finished article from a "less than perfect" negative.
Maybe I'll stop now, as both of us could go on for hours, I'm sure.
I'll finish by saying that most of what we see about us, created by humans - whether still images, video or film - is not a true copy of the original, but is a (sometimes subtly) manipulated version of the original ..maybe because the lens, or the film, or the camcorder's CCD cannot make a true copy, but has faults and imperfections.
And what
we perceive is only one way of seeing or hearing: bees see differently, dogs hear differently ..so what we see with our own eyes before any manipulation is not "the way things truly are" (..for a start, our eyes produce upside down images, which our brains then invert..) but just "the way we are used to seeing things".
Ours isn't the definitive way of how things actually are.
But enough from me, already! I'll leave the last word to you and others..