Importing from SONY DCR-SR45 Handycam

I just purchased this Camcorder today and found out when I got it home that is records in MPEG2 Format only - is that true or just a rumor?

Will I be able to import and edit from this camera successfully in FCP?

If so, what import settings?

Mac Pro Dual 2.8GHz Quad-Core Intel Xeon (8-core), Mac OS X (10.5.4), 16 Gig Ram, 2-ATI HD 2600's, Airport Extreme, 4-Internal HDs

Posted on Aug 28, 2008 12:12 AM

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7 replies

Aug 29, 2008 12:05 AM in response to Andy Mees

I returned it today an paid the $62 restocking fee. This is my fault as I should have researched this first (first time I didn't and I got hosed). I figured that with video editing being pushed on the consumer now for so long that almost ANY digital camcorder would be FCP friendly, but apparently the consumer cameras are going the other direction. Looks like the Canon Vixia HV30 may be the way for me to go.

Right now I am just doing SD, but am also looking into HD in the future.

Nov 1, 2008 8:27 AM in response to Alasta

can someone explain why the DCR-SR45 recording in MPEG-2 is a bad story for FCP?


About MPEG-2 Compression

High definition video requires significantly more data than standard definition video. A single HD video frame can require up to six times more data than an SD frame. To record such large images with such a low data rate, HDV uses MPEG-2 compression. MPEG compression reduces the data rate by removing redundant visual information, both on a per-frame basis and also across multiple frames.

Spatial (Intraframe) Compression

Within a single frame, areas of similar color and texture can be coded with fewer bits than the original, thus reducing the data rate with a minimal loss in noticeable visual quality. JPEG compression works in a similar way to compress still images. Intraframe compression is used to create standalone video frames called I-frames (short for intraframe).

Temporal (Interframe) Compression

Instead of storing complete frames, temporal compression stores only what has changed from one frame to the next, which dramatically reduces the amount of data that needs to be stored while still achieving high-quality images. Video is stored in three types of frames: a standalone I-frame that contains a complete image, and then predictive P-frames and B-frames that store subsequent changes in the image. Every half second or so, a new I-frame is introduced to provide a complete image on which the P- and B-frames are based. Together, a group of I-, P-, and B-frames is called a group of pictures, or GOP. HDV uses a long-GOP pattern, which means that there are several
P- or B- frames for each I-frame.

More About Long-GOP Video

The term “long” refers to the fact that P- and B-frames are used between I-frame intervals. At the other end of the spectrum, the opposite of “long-GOP MPEG-2” is I-frame–only MPEG-2, in which only I-frames are used. Formats such as IMX use I-frame–only MPEG-2, which reduces temporal artifacts and improves editing performance. However, I-frame–only formats have a significantly higher data rate because each frame must store enough data to be completely self-contained.
Therefore, while the decoding demands on your computer are decreased, there is a greater demand for scratch disk speed and capacity.

From "HD and Broacast Formats" pdf document available from the Help menu in Final Cut Pro

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Importing from SONY DCR-SR45 Handycam

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