"I have high hopes, though. The 15" screen is the best laptop display on the planet, so if the 17 is even close to that, it will be a fantastic machine and I will buy one that very same day. But one decent laptop at one Apple store is not enough to convince me the problem is fixed."
The best laptop screen on the planet is NOT the 15"; when you've seen a properly set up 17" wide-gamut 17" UMBP screen, you'll know what I mean. Unfortunately, you haven't. But just because you haven't, I'd be careful not to jump to conclusions. The issue to which you refer only proves that the 'Geniuses', who by and large tend towards glorified Best Buy 'Sales Associates' are not, or barely, Apple- literate in the basics, at best. are not competent enough to set their 17" UMBPs up. I do, in addition to owning 3 of each, I've set up, properly, 300 or so each for many clients in education, corporate in-house design and pre-press departments, Design firms, Ad Agencies, video post houses, etc., both 15" UMBPs and 17" UMBPs (now over 400). I've seldom seen the kind of out-of-the-box dim, off-color screen, maybe one in 90 or so (still WAY too many as a percentage); the fix is either a re-install of the Restore software or a good hardware calibration, or both- the wide-gamut screen, once it's dialed, puts the 15" screen to shame, and THAT screen's pretty darn good. The issue's that the wide-gamut screen's just that- unlike the 15" UMBP, and this anomaly is causing some problems. There's occasionally a screen that will
not respond to either, or both, 'fixes', and those are the exceptions that prove the rule, IMO. As someone who sets these up professionally, along with Mac Pros, XServes, RAIDs, Mac
PCUNIX Networks, etc., I need to get these screens up and running to work with all kinds of workflows that utilize various CMS; MANY CMS workflows, for various digital imaging purposes, including fine-art photography, gallery prints, etc., REQUIRE a ProPhoto RGB calibrated screen, whether it's attached to a laptop or a Cinemas Display or a Nanao or an NEC or a Barco Reference Calibrator. THAT requires a broader color and tonal rendering capability than the 15" UMBP screen's capable of- the ONLY laptop screen that handily 'contains' this very large colorspace with enough 'headroom' to manipulate its characteristics for different output, input, and display profiles is the <properly> set up 17" GLOSSY, NOT MATTE UMBP screen. The matte screen is NOT the same quality screen, and isn't capable of the gamut rendering that the glossy 17" UMBP screen is, period. If your only tool's a nail, it's surprising how every problem looks like a nail. In other words, if you're convinced that the 15" UMBP screen's 'the best laptop display on the planet', don't let the facts stand in your way, by all means. If, OTOH, you're to learn at some near-future point, that the facts will out eventually out (and they are already, for those of us who can properly set up the 17" UMBPs), the conclusion you're making will only cheat youself out of a better tool. But hey- it's a free country. You're mistaken, but be happy with the choice you're convinced is the best one. One day fairly soon, when you've actually seen someone more skilled than the typical Apple 'Genius' set up a 17" UMBP properly, good luck going back to your 15"! Until that day, however, enjoy your apparent 'best laptop display on the planet'.
I understand that many of the 17" UMBP displays you've seen have reflected (no pun intended), and I agree- there should be a fix by now, and it's an amazing, but by no means isolated, oversight by Apple to allow this to go on. At the very least, they can and should outline a fix that they then train the Apple Store crews to carry out and test in cursory hardware calibrations to verify that the wide-gamut screens are not 'blinkered' by software or incompetence, or both!
Best,
Charlie