Best HDV camcorder?

I need to move up to HD, but can't afford a full HD camera/fast array setup. I've been shooting SD happily for years with my Sony VX2100. I figure an HDV camcorder is my only real option and I'm looking at the Sony HVRZ7U HDV and would like to know if anyone thinks there is a better option. Thanks.

Mac Pro, Mac OS X (10.4.8)

Posted on Jul 19, 2009 9:34 AM

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18 replies

Jul 19, 2009 8:54 PM in response to npetro5

That's interesting. I would like to continue releasing to local TV stations on miniDv tape as that's what I'm currently set up for. I am assuming there will be a learning curve for me in working with the DVCpro footage in FCP and I'm sure I'll have a lot of questions. I'm expecting this will be similar to when I moved from Hi8 to miniDV about six years ago. That was so worth it as the signal was so much cleaner. I'm just champing at the bit to move up to HD.

Jul 20, 2009 11:41 AM in response to nutapple

I'm told that with the Panasonic HPX170 you can capture on Flash Cards, which are far less expensive than the P2 cards. I'm also told that there is no difference in the quality of capture using Flash cards. But I sure don't see anything about this in the 170's Operating Manual. Is this true? Does anyone on this forum capture to Flash cards? Thanks.

Jul 20, 2009 12:07 PM in response to nutapple

No flash card support.

The 170 and 200 series capture HD to p2 cards, or through something like the FS-100, or directly to laptops using programs like Scopebox, OnLocation, and HD Monitor.

The HMC150 captures up to 24 mbps AVCHD in a 4:2:0 color space for 1080 and 720.

It's a nice cam, but you need an Intel Mac and FCP 6.0.5 to transcode to pro res for editing.

Jul 21, 2009 9:32 AM in response to Shane Ross

I'm taking a real hard look at the HMC 150.

We mainly produce 30 second TV commercials for a small town market. Archiving isn't a real important issue as usually, once a spot is finished and released to stations we're done with it. Though occasionally we do have to make a revision.

I edit on a MacPro 2 X 2.66 GHz Intel Xeon with 4 GB of RAM and use FCP 6.0.5 and use Soundtrack Pro for audio work. I haven't ventured into Motion or Typestyler yet. My bad. I've been releasing dubs to TV stations on miniDV tape and I'd like to continue doing that if possible.

I'm liking what I'm learning about the HMC 150. It does capture to SD cards. It doesn't have all the frame rates and some other features of the 170, but it's a lot less money for the camcorder and a heck of a lot less for the capture medium. And if it puts out the same quality capture as the 170 it just might be the best choice for us right now.

I'm certainly open to any and all input. I'm in no hurry to make this important choice. And I really appreciate the time everyone on this thread is taking to help me out.

Jul 21, 2009 11:26 AM in response to nutapple

Actually the 150 does not capture the same quality picture as the HVX170.

Just as with all HDV cameras the HMC150 is putting a 4:2:0 color space on it's media, whereas the P2 cameras are all 4:2:2 in DV50 and HD modes. This is an important and often glossed-over distinction which can make or break any color-critical production.

If you're always going to DV25 (miniDV) for output to your local stations I'd hihgly suggest the HVX200A as it still has a built-in miniDV drive and, it uses the same chipset as the HVX170 making it superior in it's color and noise response to the original HVX200.

Yes, the P2 cams and their media are more costly than any AVCHD camera but the benefits of a native broadcast-supported HD codec (DVCPRO 50/100), better color space and in your case a built-in miniDV drive would make the 200A indispensable to your workflow now and in the future. Just remember DV50/100 is only recorded to P2 media; the miniDV drive only records DV25.

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