I told you about this in my reply. Enable the secondary ruler and you'll see that on the TIMEline everything you locked stays exactly put.
Also, your low-res video means I cannot be more precise. I don't like that. Also, the calculus and measuring and explanation would be so much easier had you chosen 120 and 60. But OK. You didn't know, and you thought you had a point.
O, and just to be clear: I am a user, not "Apple". I don't work for them in any way.
OK, you appear to be not getting what happens. The audio files stay put in time, but they change in bar position, because a bar is NOT a unit of time.
A 120 BPM 4/4 bar lasts 2 seconds, a 50 BPM 4/4 bar lasts 3.3333 seconds. ( 60 BPM 4/4 bar lasts 4 seconds - see how much easier that is to calculate with?)
Look: the total length of you audio regions collection at 120 BPM is about 32,5 bars.
At 50 BPM the audio files span about 13.5 bars.
50 divided by 13.5 = 120 divided by 32.5., therefore they still span the same TIME.
The distance in time between the audio files has also stayed exactly the same.
Another way to check:
At 120 BPM the audio starts at bar 25 -ish
At 50 BPM the audio starts at bar 11- ish
25-ish bars at 120 BPM is 50-ish seconds
11-ish bars at 50 BPM is 50-ish seconds
Again, the same point in TIME.
Have you noticed the MIDI doesn't move? Oddly (but correctly) that means that is HAS changed in time.
Here is a clear example: I halved the tempo (94 to 47), and the audio files start at 22,979 seconds exactly, before AND after.
