Red eye reduction in video?
I've got a bunch of video with nasty red eye in it. What can I do? I tried using chroma key, but that didn't work. I know that still photo apps can fix this, but it is several minutes of video.
Mac Studio
I've got a bunch of video with nasty red eye in it. What can I do? I tried using chroma key, but that didn't work. I know that still photo apps can fix this, but it is several minutes of video.
Mac Studio
Algr wrote:
I know that still photo apps can fix this, but it is several minutes of video.
Are you using the entire "several minutes" in your edit?
If you are only using short pieces in the cut, have you considered exporting those selected areas of video out of FCP as Image Sequences, then removing the red eye on each frame in Photoshop (for example)?
You would then import the Image Sequence with the now corrected frames back into FCP for purposes of the edit.
You might try a test of this process - which basically is a from of rotoscoping - and see if it is worth the effort.
MtD
Could you post one or two screenshots where the problem is noticeable?
Depending on what we see, it might be possible to track and apply a correction with a mask, or not.
Have you tried just using a color balance? Most of the scene is predominantly red to begin with.
Color Balance should minimize the redness.
BTW - no masks.
(PS -- I don't know if FCPX's Color Balance can do this much... I use a custom color balance tool).
Yeah - sorry about that - I was in a hurry. That's the problem with not being there!
This is your original
I used scopes on this one to balance the color.
Here's the frame "cleaned" (sharpened with slightly reduced saturation with a little increased color contrast):
and here's the frame with a little bit of the "golden glow" put back in (with the same [custom] color balance effect):
... hard to tell there's a "red eye" problem ... (how did I do? [w/r/t/ red eye]. How weird is it to use a color balance tool to ADD a color cast!)
Still, no masks. (And no color board. The "cleaner" improves a couple of aspects that the balance tool doesn't handle. It's a complementary effect to the balance effect [and the two cannot be the same effect -- they just wouldn't work the same.])
If it's still a little 'aqua' - I have to apologize: I have a "hole" in my color vision in the green spectrum and I can't see it (which is ironic because I'm a tetrachromat). I guess the point is that the color balance tool I have is 100% customizable throughout the color range... so... you're the one in control. [It can be easily re-darkened as well to match the original "ambience" more closely.]
Most of the videos I can find on "red eye reduction in video" involve Lightroom and most of them are 10 years old or more. I can't imagine how to accomplish red eye reduction with masking and color board tools and make it look ... right. On the other hand, I'm only running 10.4.10 and have no access to the new tracker tools which might make this sort of thing easier to accomplish.
You can't just use a Color Mask and nothing else, because it will pick up anything with the same color anywhere in the frame; a color mask combined with a shape mask might work.
Would it be possible to post a short snippet of that video? You could post as unlisted on youtube and post a link here, or you could send it to yourself using wetransfer, and post the link here (in the latter case, it will probably be quickly deleted, but we'd still get it, at least some of us will).
Originally I was hoping I could track the upper face, and use the color to isolate the eyes. But that put too much noise on the rest of the face. The tracker does not work well trying to track just the iris - it keeps flying off to the top of the screen.
Here is my best attempt:
I've got one mask stretching across both the groom's eyes, and the bride has one for each eye. The eyes are slightly different colors, so one does nothing at all, the other keeps sliding off after hours of fine tuning it.
Well reception halls intentionally dim the lights to cast everything in a golden glow. It is what people want at the event, so I see no reason to undo it in the video. In your pic above, you have an aqua cast all over everything white. To me it just looks unnatural, and it isn't how people want to remember the event.
I will do a subtle color balance the video later, but those eyes are far more important.
Yes, I've cut as much of the red-eye footage as I can, and it is still several minutes. The whole project is about 2 hrs.
re: fox_m
Yes those are much better, the aqua problem is completely gone. It's funny, I always thought being a tetrachromat would be bad for most color art. Video monitors only have the three phosphers and so don't produce any of the extra colors that you see. Film would be the same. So nothing on a screen would ever look right to a tetrachromat, and you wouldn't know if a monitor was matching colors the way other people see them. I dunno though.
My client actually didn't want any film look to the video. My demo is all 60p, with full spectrum video color, and she quite liked that.
[Link Edited by Moderator]
Well here is the image:
And here is what happens if I try to use color mask:
It comes out amazingly wrong. I select the eyes, and it selects most of the screen, and misses parts of the eyes.
Nice resumé! (I got the link.) Like your use of vignettes (blurs). I couldn't do your job!
Red eye reduction in video?