Converting ProRes 4444 material to ProRes 422 (HQ)
Hi all-
I have a question that hopefully someone on here can answer. One of my company's clients is requesting that we shift to ProRes 4444 for mastering their features. Our workflow, for various reasons I dont want to get into on here, will be to capture the material from HDCAM-SR to ProRes 4444 and use that file as our top level master. I then will need to deliver a ProRes 422 HQ file to some of their vendors. An obvious workaround would be to do a second capture of this tape as 422HQ, but i would rather not tie up the machine for two captures.
The problem I am having is this, I cannot get ProRes 4444 to convert successfully to ProRes 422 HQ. For my tests I captured a set of 444 SMPTE bars as ProRes 4444. When i view this material on my scope it decodes properly, white is at 700mv and black is at 0mv. Additionally, the pluge is intact so I know that the system is not clipping any sub-blacks. All colors fall into place on the vectorscope as well.
I then take the 4444 material and export a QT file from the timeline (or compressor) to ProRes 422 HQ. The resulting material looks fine to the eye, but when you put it out to a scope the white values have dropped from 700mv down to around 650mv and the blacks have been raised from 0mv to around 50mv. Additionally, this conversion also effects the chroma values in the color bars. So it seems to me that there is some sort of strange gamma shift happening in the file conversion process and I cannot for the life of me figure out where to compensate for this. I messed with a number of settings in compressor but ultimately nothing worked. I searched through the forum and I couldnt find anything other than "you shouldnt be using 4444" because the source material was of lesser quality. I unfortunately have to use this codec and I am working from HDCAM-SR tapes recorded as 444 from film transfers or DI, so hopefully someone has a solution.
Thanks-
Holter
Final Cut Studio '09