This statement confuses me:
It was telecined "full frame" as 1.78:1 with no
mattes onto 16:9 Anamorphic NTSC DV.
To me full frame means 4:3 aspect ratio, no mattes
means no black bars at top and bottom, and 16:9
anamorphic means squeezed to fit...
So I am trying to imagine what you are looking at.
Sorry to be confusing. 4:3 has never entered into this project. Film was shot 1.78:1 "full frame" Super16mm film (NOT squeezed using anamorphic lenses).
Telecine squeezed the above image onto 16:9 Anamorphic DVCAM NTSC. The result is a "full-16:9-frame" (e.g. no mattes). When editing in FCP, or when viewing on a Widescreen TV, there is no distortion, and the image fills the entire screen.
The cinematographer's desired output is 2.0:1 letterboxed WITHIN the Anamorphic 16:9 frame. This would be no different than if you went out and shot 16:9 video, then put a "widescreen" matte on that video, EXCEPT, in FCP there is no matte preset for 2.0:1, so I'm trying to figure out how to calculate and create one.
Thanks!
- Jordan