Keyframing lens flares

Does anyone know how to key fram a lens flare in a video layer? I've been doing alot of it in Adobe Premiere and am now working in Final Cut and looking to do the same thing but I cant find the right way to do it. I see where you can add lens flares, but i just dont know how to key frame them from low to bright and moving across the screen and what not. Any help would be greatly appreciated. Thanks.

Powerbook G4 1.3 gig, Mac OS X (10.4.2)

Posted on Mar 18, 2006 9:42 PM

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12 replies

Mar 19, 2006 5:30 AM in response to jayers

Hi Jason.

Unfortunately Transitions and Effects can NOT be keyframed in FCE (they can in FCP).

There are some workarounds.

To increase or decrease the BRIGHTNESS of the flare you could put a copy clip with the flare at full strength on V2 immediately above the original. Then you could adjust the Opacity of the flare to increase or decrease it. (The opacity of a clip can be keyframed but not the Effect).

I have no idea how you would move it. I think that may be impossible - unless someone has found a way!

Ian.

Mar 20, 2006 5:04 AM in response to Ian R. Brown

Hi Ian,

not sure it applies here, but in addition to your suggestions about opacity, I'd apply the Basic Motion to the superimposed clip (v2) to move, enlarge, reduce, rotate the effect following the action on the base clip (v1): this CAN be keyframed and I used it various times.

Only glitch: no clear description in the FCE HD manual on how do it - so I used the FCP manual and some experimentation...

Piero

Mar 20, 2006 9:01 AM in response to Ian R. Brown

Ian, my assumption is that you have the original clip in v1 and you added the lens flare as an effect in new clip in v2; this clip, in my assumption, has transparency in the areas where there is no flare effect. But Ian, this is just my guess, so if this is wrong what follows might not apply.

Suppose I guessed right. Then, you can apply the basic motion, keyframed, to clip in v2 to follow any path you want based on the motion in v1, and adjust opacity dynamically as well. If the issue is the application of keyframed basic motion to clip in v2, let me know, and I'll try to be more specific.

Piero

Mar 20, 2006 10:23 AM in response to PieroF

I should never have doubted you Piero - you are, as usual, right.

All I had to do was make a black Slug and put it on V2. Then I applied the flare to the Slug together with the Lumakey, which I set to key out the black.

It was then just a matter of using the Motion keyframes.

When I originally tried it I had forgotten about the Lumakey so I just ended up with the black Slug moving across the screen!

I hope Jason sees this because it works perfectly.

Ian.

Mar 20, 2006 4:07 PM in response to Ian R. Brown

"...you are, as usual, right"

Thanks Ian,
to say the truth I'm not sure you are right,
since when I'm wrong I just try to be quiet;
so your statistics has been likely biased:
surely the chance of my errors is highest.

Piero
(note for me: never post at 1am... mostly in a foreign language - note for Tom and Ian: I'll try both your suggestions: tomorrow...)

Mar 21, 2006 10:37 AM in response to Tom Wolsky

I have done a test using the Lumakey and the Composite Mode>Screen.

The only adjustment I made was to set the Lumakey to "Key out Darker".

I couldn't say one method was better than another - they were just different.

I had made a 10 pointed star. The Lumakey one had sharp edges whilst the other had larger, softer edges.

Both methods produced attractive results.

Ian.

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Keyframing lens flares

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