To be honest I suspect that my "issues" with Logic
Express were more to due with me being new to
software like Logic/Cubase, but I did find it
slightly more complicated to assign tracks to
instruments, rewire, etc.
Ditto, I started on Logic when it was still eMagic but it was my first DAW. Couldn't get to grips with it so went round all the others, Tracktion, DP, Live, Pro Tools and recently Cubase SX. I thought I would have another look at Logic and guess what? Perfectly understandable and the environment, that bane of the newbie's Logic experience, actually makes perfect sense! But you need to understand how recording process works - it's not for the uninitiated.
Re Cubase, I got tired of clicking everywhere and the busy screens with buttons everywhere. It's a very powerful and flexible sequencer but it's the flexibility that makes it a hinderance to the creative flow. They've put so much into it, given options for everything and alternative methods to achieve the same thing to suit as many ways of working as possible that it takes forever to achieve anything. E.g., insert a VI in a MIDI track in Cubase and bang!, an audio track is automatically created for all it's outputs. I know you can hide them in a folder but it is still sixteen or so extra tracks right there in your arrange page to negotiate. A few multi channel instruments and you have 48 extra tracks to either hide, delete or otherwise deal with.
Once I tried Logic, I must say I immediately sold Cubase SX and bought LP.
Performance is much better on my machine in LP than Cubase by a mile (I use almost exclusively VI's).
Also remember Cubase isn't UB yet so you can't run it on your Mac Pro unti Steinberg get their fingers out (probably later this year).
HTH.
Regards
David
PowerMac Dual 2GHz Mac OS X (10.4.6) Logic Pro, NI Komplete, Akoustik Piano, Philharmonik, Firebox, Gin