How to set a custom frame rate in Final Cut 10

I work at a film archive and we need to edit progressive sequences in older frame rates. The films we are editing are usually shot in 16, 18, or 20fps so we need to set our projects to these frame rates so the films can remain progressive. We have been using Final Cut 7 since it allows us to create custom frame rate sequences, but the platform is becoming difficult to use as new operating systems do not support it. Is there a way to do this in Final Cut X?

Posted on May 22, 2018 8:35 AM

Reply
9 replies

May 22, 2018 10:28 AM in response to karin_ane

You might want to take a look at Adobe Creative Cloud/Premiere Pro. As a test, I created a 20fps file and a 16fps file in After Effects and brought them into Premiere, and Premiere will support those frame rates:

User uploaded file

While odd frame rates are not available in the Sequence Creation pre-sets, if you drag a clip into an empty Premiere Pro timeline, you are given the option of matching the sequence to the source clip properties - and it accepted both the 16fps and 20fps clips without problems.


After you edit, you can export the timeline selecting Match Sequence Settings and the frame rate will be supported through Adobe Media Encoder.


There is, I believe, a 7-day free trial of Adobe CC to test this for suitability for your work flow.


MtD

May 22, 2018 10:24 AM in response to Tom Wolsky

We need to input the files at their native frame rate (we capture them progressively at 16fps, 18fps, ect), edit them, and then export them. All at their native frame rate. Currently we do this in Final Cut 7 and export out of FCP with Compressor 3. We use Compressor 4 when we need to change the format of the master file (for example change it from Uncompressed 10-bit to Pro Res or H264) or uprez SD to HD, ect. So we run files with these frame rates through Compressor 4, but we haven't used it to export out of FCP yet since we can't get FCPX to work with the files.

May 22, 2018 11:27 AM in response to Meg The Dog

Our scanner captures the images progressively so if you go through the timeline one frame at a time each frame matches the next frame from the original film. When you place a 16fps progressive capture into a 29.97 sequence then some frames must be repeated so as to keep the film at the right speed. In a 16fps timeline there are 16 frames in one second. When you put that film into a 29.97 sequence then there are 29.97 frames in one second so some of those original 16 frames must be repeated. The film will still run at the proper speed and look ok, but it will look much better if frames aren't repeated.


We do put 16/18fps films into 29.97 timeline when we are making a DVD or Bluray (since the film has to be 29.97 or 23.98 to work in those mediums), but we want the archival files to be in the correct frame rate and when researchers, producers, ect. order them they expect them to be at their native rate.🙂

This thread has been closed by the system or the community team. You may vote for any posts you find helpful, or search the Community for additional answers.

How to set a custom frame rate in Final Cut 10

Welcome to Apple Support Community
A forum where Apple customers help each other with their products. Get started with your Apple Account.