23.976 frame rate explained

This post was triggered from this this thread:
http://discussions.apple.com/thread.jspa?messageID=4741388#4741388

I just thought it best to start a new one
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Okay iSchwartz, with the speed of a flying bullet, and with help from my fellow members of the IBS (Institute of Broadcast Sound - in the UK), I think I have some answers...

24P is indeed simply video at 24frames per second with the "P" meaning Progressive scan. Its a video format invented to be compatible with film. It also means that the footage will have more of a "film look" when its converted to TV frame rates for broadcast as it will have the same process applied to it as film footage.

As to where 23.976 fps comes in (with regards to Logic) is rather more vague!
(warning - the following contains some speculation!)

As all will know ⚠ because film is shot at 24fps it needs a special conversion process to be shown on an NTSC TV of 29.97fps. The process could just speed the film up but it would look funny and so they sort of duplicate some of the film's frames instead, to get the frame rate increased. The process used would result in a frame rate of 30fps so to bring it in line with the (cumbersome) NTSC frame rate they have to slow the film down slightly (by 0.1%) before they "scan" in the film's frames to make video.

...and guess what a 0.1% speed reduction of 24fps results in? Yes - 23.976!

so...

23.976 is the frame rate of the telecine machine when playing film to transfer to NTSC tv. The process involves slowing the 24fps film by 0.1% to 23.976 and applying a 2:3 pulldown picture process, resulting in NTSC's frame rate of 29.97fps

Now the question is why would you want Logic to work in 23.976fps?

It is possible (I don't know for sure) that when you shoot with film (ie 24fps), destined for tv that the programme is edited at 23.976, ready for the telecine process, and so this is the frame rate used during the post production process - As it is the time reference used in the edit then we need logic to work at this rate too so we're all in time.

It is also possible that the latest HD video cameras provide a shooting frame rate of 23.976 fps so that the "slow down" process of the past is not required.

Having said that to view the 23.976 fps pictures on telly the video needs to be converted to 30fpsDrop - or you need a display that can work at this unusual frame rate. I am not sure what the implication of all this would be for the musician "working to picture".

One thing I would say, is that musicians are not alone in having much confusion with frame rates and time code, especially now Hi def has arrived. I would strongly advise double checking with "production", particularly the dubbing editor, if that frame rate requested ~really~ is the right one!


I hope I haven't confused the issue even more with all that! Don't take any of this as gospel as I am still learning too. I trust someone will provide corrections and additions.

Mac Pro 2.66GHz 2GBRam, Mac OS X (10.4.8)

Posted on Jun 16, 2007 3:54 PM

Reply
36 replies

Jun 25, 2007 5:27 AM in response to Thomas O'Carroll

My only solution to those using Logic who have to
deliver sound/music with timecode reference is to use
FinalCut Pro. FCP can handle 23.976fps. Import the
music from Logic to FCP and place it where it needs
to be in the film. Export everything as an OMF and
cross your fingers.



Touche' Thomas. And a big emphasis on the "fingers crossed" part. Actually, I've been working with an editor recently and we've been exchanging FCP project files rather than just "throwing media back and forth over the wall." I'm not advocating that every audio guy go out and buy FCP, but it does avoid a lot of confusion, especially with editors who are not that savvy. There's more of those all the time!

Anyway, thanks for this thread. It was enlightening and actually helped me with an issue I was presently noodling. You guys are great.

iS, fyi, I recently responded to your post on the FCP forum. Hope it helps.

Randall

Jun 25, 2007 2:57 PM in response to iSchwartz

While we're on the subject of 23.976, I have a
project where the editor asked if he could send me an
OMF file of his dialog and SFX tracks from FCP. I'm
assuming that this wouldn't work because Logic
doesn't have a frame rate that would match that of
the editor's 23.976 session. Thoughts?


iS,

This will work. OMF doesn't seem to reference the FCP editing timebase specifically. It apparently has its own independent way that references actual temporal reality, so stuff comes in at the right place! Imagine that. As you know, the numbers will be off, but I'm sure they trust your renowned creative judgement if you should need to "nudge" things around a bit!

Of course, . . . anything can go wrong.

Jun 27, 2007 2:26 PM in response to iSchwartz

Thanks for the kind words iSchwarts.

On your OMF question.
OMF does actually not use TC as its underlying time factor. It uses sample counts.
In ProTools it does not matter if the OMF project is in reality running in one speed but with a different frame rate. It may be confusing but does not affect the sync relationship within the audio tracks nor against the movie.

But I have one cautionary thought on this : Please be aware that FCP (and Avid) can work with audio files running at different sample rate.
Generally that is not supported neither in Logic nor in PT. It causes the OMF not to be able to be opened.

Also another thought regarding carrying audio stuff from FCP to Logic :
I think you should maybe have your editor rather use an XML export from FCP than using the OMF.

Just a thought.

On the other hand it is confusing in Logic that even though sync should be fine that it does not display the correct codes since it does not yet support a 29.976 frame rate. Remember (for their excuse ;)) that it is a very new frame rate and PT just started sometime mid last year to support it. (But they do it well now in my opinion).

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23.976 frame rate explained

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