Jakarta Brent wrote:
I think the problem here is Apple released a Pro product like they would a new iPod or iLife product. Most of the pros here need a certain amount of work flow and feature ability. If Apple just simply released a trial version they would have gotten input from thousands of people.
So lets see, how "pro" is it to blindly rush into a new product and switch to it while abandoning your previous software and workflow?
Oh wait, you didn't do that and still have FCP 7? So what exactly is the problem? You might have to wait the same amount of time as if Apple hadn't released until the features you want were eventually rolled in?
Why is this worthy of the equivalent of a full blown temper tantrum again?
Jakarta Brent wrote:
Apple had all these pro editors saying it blew their socks off.... which fed expectations.
Specify who the target market is.... Pros in commercial and film or advanced home movies or prosumers.
See, this is the problem labeling things "Pro" - that word means different things to different people. Personally I think the furor over "Pro" is stupid. Either the product does what you need it to, or it doesn't. Furthermore, implying that because FCP X is missing a feature you find essential that it's automatically right out for all "commercial and film" is pretty arrogant. Not everyone has the same workflow.
If it doesn't have the current mix of features you need now, and Apple has stated (as they have) that the missing features are coming - then don't upgrade [i]now[/i].
As for "waiting" - why should they? Not everyone needs the "missing" features. If the application is sufficiently far along to be useful to at least a significant portion of the user base, why shouldn't they release it? As I pointed out, you can still wait the same amount of time until the features you need are released - but why should everyone be denied the application just because it doesn't yet fully meet your needs?
The application is a total rewrite. That's a huge undertaking. I don't understand why everyone is acting like this release is the only version of the software that will ever exist. That's it's out this early is three months ahead of what has widely been assumed for it's release date. Once again, for being aggressive and actually providing more options Apple is once again "rewarded" by small-minded over-reactions. Sigh. It's a wonder they still keep trying to push the envelope - it's definitely not a business suited for those with thin skin!
It reminds me of the fuss over Apple dropping ADB and the floppy drive from the iMac. Eventually Apple was more than vindicated - but the beating they took for the first couple of years was ridiculous. I have no doubt that within a year the same will happen with FCP X. The mere fact that people are denouncing it outright with it being out less than 24 hours is just plain idiotic.
Here's what will be the real factor. If FCP X is compelling enough on it's own merits and gives editors with vision a new tool to give them an edge - that's what will matter the most. Much like the railing against iOS by the old-school tech elite, I have a sneaky suspicion FCP X could be poised to shake up video editing in ways we can't even fathom right now. The ultimate success for FCP X will be it's popularity and use by the community. If it's universally panned, then all the nay-sayers in here will be vindicate. However, I think it's far more likely to be another iOS - the entrenched "old guard" will get blindsided by those who aren't bound by tradition, and instead of looking at FCP X for all that is missing when compared to traditional tools will embrace the never-before-offered tools and do truly new and ground braking work.
I, for one, will be far more interested in seeing what the really creative people do rather than those who are weeping and wailing in hysterics at the moment. While they are not infallible, Apple has an astonishingly scary track record of setting the status quo on it's ear. I feel far more comfortable betting with them than against them at this point...