The more I spectrally re-synthesize and morph in Alchemy 2, the more I am amazed about the sonic results which can be achieved.
Two finalized patches with spectrally re-synthesized, multi-sampled instruments (e-bowed acoustic guitar strings/flute repetitions) in a harmonic improvisation.
Short descriptions:
Acoustic Ebow Spectral - Spectrally re-synthesized e-bowed acoustic guitar with sizzling strings, 3 multi-sampled, zone-crossfading sounds in each source (A/B).
Spectral Flute Texture - Spectrally re-synthesized flute repetitions, 2 samples with different route notes in A/B, element morphing is performed by 2 LFOs, Perf. 2 adds tempo-synced formant modulation.
Improvised the chord progressions with the guitar patch in a first pass, added some flute in a second pass, then added snapshot morphing for each patch in 2 more passes.
Demo:
https://soundcloud.com/sampleconstruct/spectral-acoustic-ebow-and-flute-contempl ation-resurrection-for-alchemy-2
...and...
Video and audio demos for Stick Cello Synth - using re-synthesized multi-sampled stick cello accents, spectral re-synthesis in A, additive re-synthesis in source B, a very playable and versatile instrument sounding anything between a guitar, sitar, organ, synth pluck, woody percussion and whatnot. Morphing through the 8 snaps on the fly:
https://www.youtube.com/watch?v=6aLTCDiLq50
https://soundcloud.com/sampleconstruct/stick-cello-synth-resurrection-for-alchem y-2